Tanya Merrill’s 303 Gallery exhibition, Land animal, house animal, features paintings shaped by motherhood and her move from New York City upstate.

Hyperallergic editor-in-chief Hakim Bishara recounts an October day in Manhattan, connecting museum visits and public encounters to Indigenous land and privilege.

The New York Film Festival presented eight restored works by Armenian filmmaker Artavazd Pelechian, whose films are built around “distance montage.”

A Hyperallergic review examines Cannupa Hanska Luger’s American Traditional, a 2026 exhibition at Garth Greenan Gallery about bison and Indigenous history.