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The Metropolitan Museum of Art selected Danh Vo for its 2027 Genesis Facade commission and Sandra Mujinga for its Great Hall commission. Vo’s new works are scheduled to go on view in September 2027; Mujinga’s site-specific installation is planned for the following November. The Met has not yet announced detailed descriptions of either project.
The Metropolitan Museum of Art has selected Danh Vo and Sandra Mujinga for two major commissions scheduled for 2027, placing new work by the artists on the museum’s exterior and in its Great Hall. Vo’s Genesis Facade commission is set to go on view in September 2027, while Mujinga’s site-specific Great Hall installation is planned for November 2027.
Vo will create new works for the four niches on the Met’s Beaux-Arts facade, the museum’s exterior commission known as the Genesis Facade. The work is scheduled to be on view beginning in September 2027. The announcement identifies the location and timing but does not describe the objects or materials Vo plans to use.
Mujinga’s commission will be a site-specific installation in the Great Hall, the museum’s central interior space. It is scheduled to be presented the following November, in 2027. The Met has not released a project title or further installation details in the announcement reported by Hyperallergic.
Met Director and CEO Max Hollein said the artists share an interest in how history remains active and contested. He connected their practices to the ways objects and bodies carry meaning over time, framing the paired commissions around historical interpretation rather than a single subject or medium.
Two Artists Across the Met
The selections bring contemporary art into two highly visible parts of the museum: the facade and the Great Hall. The projects will meet visitors in different ways, with Vo’s work positioned in exterior niches and Mujinga’s installation occupying an interior public space. Their placement makes the commissions part of the museum’s everyday encounter with visitors, not only exhibitions reached through its galleries.
The pairing also connects artists whose work engages with histories and identities shaped across time. Vo’s practice often draws on his experience as a Vietnamese boat refugee while examining modern history. Mujinga’s work draws on Afrofuturism, science fiction and post-colonialism. Hollein’s statement points to a shared interest in unsettled history, but the announcement does not claim that the artists’ approaches or projects are identical.
For readers following the Met’s public programming, the announcement offers an early indication of what visitors can expect in 2027. It also sets a timeline for two commissions in prominent spaces, while leaving the artistic form and specific content of each work to be announced or seen later.
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The Commission Sites and Artists
The Genesis Facade commission places new work in the four niches of the Met’s Beaux-Arts exterior. Vo’s selection is therefore tied to the museum’s public-facing architecture. The reported announcement says the work will be on view from September 2027, but gives no further information about the number of individual pieces, their dimensions, or how long they will remain in place.
Mujinga’s commission is planned for the Great Hall inside the museum. The Met describes it as site-specific, indicating that the installation is conceived for that location; details of its design and materials have not been provided. Mujinga’s practice is associated with Afrofuturism, science fiction and post-colonial thought, while Vo’s work often engages personal history and broader accounts of modern history.
In a statement cited in Hyperallergic’s report, Hollein described both artists as treating history as “alive and unsettled.” That is the museum director’s characterization of their practices, rather than a project description supplied by either artist. The announcement’s confirmed information is limited to the artists, commission sites and planned presentation dates.
““Danh Vo and Sandra Mujinga both treat history as something alive and unsettled and are deeply attuned to the ways objects and bodies carry meaning across time.””
— Max Hollein, Met director and CEO
Project Details Still Pending
The announcement does not specify the titles, materials, dimensions or full concepts of either commission. It also does not provide installation schedules beyond the reported months, give an end date for either presentation, or say whether additional programming will accompany the works. Those details should not be treated as confirmed until the Met or the artists release them.
The timing is reported as September 2027 for Vo and November 2027 for Mujinga. The available report does not give exact opening days. It is also not clear from the announcement whether the Great Hall installation will remain on view for a set period or how the facade works will be maintained or presented during their run.
Details Ahead of the 2027 Openings
The next confirmed milestones are the planned presentations: Vo’s facade commission in September 2027 and Mujinga’s Great Hall installation in November 2027. The Met has not announced exact dates in the reported material.
Further information from the museum or the artists may clarify the works’ titles, forms, materials and duration. Until those details are released, the confirmed scope is the selection of the two artists, their assigned sites and the planned months for their presentation.
Key Questions
Who was selected for the Met Museum’s 2027 commissions?
The Metropolitan Museum of Art selected Danh Vo and Sandra Mujinga for its 2027 Genesis Facade and Great Hall commissions, respectively.
When will Danh Vo’s commission be shown?
Vo’s new work for the four niches of the Genesis Facade is scheduled to go on view in September 2027. The announcement does not give an exact opening date.
When is Sandra Mujinga’s Great Hall installation planned?
Mujinga’s site-specific Great Hall installation is planned for November 2027. The Met has not announced an exact date or how long it will remain on view.
What will the commissioned works look like?
The available announcement does not provide the works’ titles, materials or detailed descriptions. It confirms the sites and planned timing, but not the projects’ full designs.
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