Arts

David (Sabastian) Miklatski says he secretly placed “The MET 2027,” an oil pastel work about celebrity spectacle and global unrest, in the Met.

Ursula von Rydingsvard, known for monumental cedar sculptures shaped by memories of wartime displacement, died at her Manhattan home at 84.

In an interview about We, Layli Long Soldier discusses its visual forms, Lakota language and philosophy, and how she guides readers through difficult subjects.

Izumi Kato’s new Perrotin solo exhibition brings paintings and sculptures together in an aquatic world of human, animal and totemic forms.

A Hyperallergic review reads Nathan Fielder and Lance Oppenheim’s You Can See Everything as a documentary that also stages Fielder’s presence.

In a Hyperallergic interview, Paul Pfeiffer discusses stadiums as political stages and new works in his Perrotin Los Angeles exhibition.

A Los Angeles exhibition surveys six decades at Gemini G.E.L., focusing on artists’ experiments and the workshop’s role as a place for exchange.

Mestiz Studio’s “Twenty Petal Flower” opens at Flatiron North Plaza on Oct. 26, inviting visitors to leave offerings through Nov. 3.

Rose Sanderson’s 50 surreal paintings on vintage postcards will be shown at Aberystwyth Arts Centre from Nov. 11 to Dec. 23, 2026.

Hyperallergic editor-in-chief Hakim Bishara’s essay links Paris student protests and the art world’s wealth to a personal reflection on class.