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Amy Genser’s layered wall sculptures use rolled mulberry paper, acrylic and other materials to suggest ocean currents, reefs and marine forms. A recent commission, “Stars Below,” was made for The Macallan’s Carta Nautica Collection, which links the artwork and whisky release to the transatlantic journeys of aging barrels.
Artist Amy Genser has created “Stars Below,” a monumental wall work commissioned by whisky maker The Macallan for its Carta Nautica Collection, according to a November 2026 report by Colossal. Built from layered materials and shaped into an imagined underwater world, the piece accompanies a collection whose release is tied to the transatlantic journeys of the barrels used to age the spirit.
Genser’s wall assemblages are made from rolled mulberry paper, acrylic and wire, among other materials listed for individual works. Across fields of blue and green, raised shapes and intricate patterns evoke swells, currents, reefs and the ocean floor without settling into a single literal depiction. Colossal describes the forms as shifting in appearance with closer viewing: some suggest waves or coral, while cavities and protrusions may call to mind barnacles or tentacles.
The report identifies “Stars Below” as a monumental commission for The Macallan’s Carta Nautica Collection. The project connects the artwork with the route taken by wooden casks used to mature the whisky, which travel to Scotland from Spain and the United States. Genser said the piece uses layered textures, flowing forms and rich colors to evoke a mythical underwater world shaped by movement, discovery and transformation.
Colossal also features several other works, including “Peacefully Chaotic” (2026), made with mulberry paper, thermoplastic and acrylic, and “Need” (2024), which incorporates paper, mesh, copper wire and thermoplastic on PVC. Other pictured pieces include “Marine Dream” (2025), “Coalesce” (2026), “Wrinkles” (2024) and “Suspended” (2026). The works vary in size and depth, showing how Genser uses layering, texture and relief across different compositions.
A Commission Tied to Barrel Voyages
The commission gives Genser’s ocean imagery a direct connection to the product story behind the collection: the sea routes traveled by barrels bound for Scotland. The relationship is a theme described by the report, not evidence that the artwork documents a particular voyage or depicts a specific stretch of ocean. Instead, its abstract forms offer a visual interpretation of movement and maritime travel.
The project also puts a material-focused art practice into a commercial setting. Genser’s assembled paper forms depend on close attention to surface and depth; their resemblance to marine life remains open to interpretation. For readers interested in contemporary craft and design, the commission shows how an artist’s established visual language can be adapted to a brand collaboration without becoming a straightforward illustration.
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How Genser Builds Ocean Forms
Colossal presents Genser’s work as an ongoing exploration of ocean rhythms and marine life. Her forms can appear topographical from a distance, like a view across clear water, then take on other associations as details become visible. The report emphasizes that the works are not immediately recognizable representations: viewers may see waves, coral-like clusters or other underwater shapes, but those readings are not fixed.
The materials differ from work to work. Alongside mulberry paper and acrylic, the report lists copper wire, mesh, thermoplastic and PVC in selected pieces. The works’ varied dimensions and thicknesses show that the series includes both relatively shallow panels and more deeply projecting assemblages. “Stars Below” extends this approach to a large-scale commission; the report does not provide its exact dimensions.
““Through layered textures, flowing forms, and rich colors, I brought to life a mythical underwater world shaped by movement, discovery, and transformation.””
— Amy Genser, as quoted in the Colossal report
Commission Details Still Unreported
The source report does not state when or where “Stars Below” will be exhibited, give its dimensions, or describe the commission’s production timeline. It also does not provide details about the Carta Nautica Collection’s release date, bottle quantities or distribution. The relationship between the artwork and the barrels’ route is described in broad terms; specific journeys or historical records tied to the piece are not identified.
Interpretations of the sculptures’ forms are also subjective. Genser’s work evokes marine and topographical imagery, but the report does not identify each shape as a particular species, reef or location. The description of the scene as an underwater world comes from the artist’s statement rather than a claim that the work represents a real place.
Further Images and Collection Information
Colossal directs readers to Genser’s Instagram for more of her work. The source does not announce a future exhibition or another milestone for “Stars Below,” so no public display schedule is confirmed in the report. Further information about the artwork’s dimensions, installation and the collection’s release would clarify how the commission will be presented.
Key Questions
What is “Stars Below”?
It is a monumental wall work by Amy Genser, commissioned by The Macallan for its Carta Nautica Collection. The report describes it as an imagined underwater world made with layered textures, flowing forms and rich colors.
What materials does Amy Genser use?
Her assemblages use rolled mulberry paper and acrylic, with materials such as wire, mesh, thermoplastic and PVC appearing in the works listed by Colossal. Materials vary from piece to piece.
What does the artwork have to do with The Macallan?
The commission is part of the Carta Nautica Collection. The report says the artwork and whisky release refer to the transatlantic journeys of the wooden barrels used to age the spirit, traveling from Spain and the United States to Scotland.
Does “Stars Below” depict a real ocean location?
The report describes it as a mythical underwater world, not a documented view of a specific place. Genser’s forms evoke ocean features, but their precise meanings are left open to interpretation.
Source: thisiscolossal.com
