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Derriann Pharr’s works are featured in “A sustained becoming: Studio Museum Artists in Residence 2026” at the Studio Museum in Harlem. The exhibition brings together work by Pharr, Simonette Quamina and Taylor Simmons in a gallery in the museum’s new building; further details about its dates and programming are not available in the report.
Derriann Pharr’s work is part of “A sustained becoming: Studio Museum Artists in Residence 2026,” an exhibition at the Studio Museum in Harlem that also features artists Simonette Quamina and Taylor Simmons. The show presents the resident cohort in a spacious fourth-floor gallery in the museum’s new building, according to Hyperallergic’s review.
Hyperallergic describes Pharr’s works as drawing on girlhood and womanhood, with figures that combine human and animal forms. In the 2026 work “Squinching my eyes shut and wishing real hard (Honey’s Dream),” Pharr works on paper whose frayed edges frame a figure the review calls long and animalesque. The report describes scales, fur, flower petals, wings and dewdrops among the imagery.
A second work, “Bring My Bones Home!” (2026), centers on a bulbous female figure curled around a small creature. The review characterizes the pose as protective and tender, and notes spiky sculptural elements rising above the figure. Those descriptions come from the reviewer; the source does not provide an artist statement explaining the works.
The exhibition places Pharr’s work alongside Simonette Quamina’s indigo-hued dreamscapes and Taylor Simmons’s oil tableaux. Hyperallergic reports that the works occupy a fourth-floor gallery in the Studio Museum’s new 82,000-square-foot Harlem building, with space between practices rather than a crowded installation.
The exhibition offers a public view of work by the Studio Museum’s 2026 artists-in-residence, bringing three distinct practices into one gallery. For visitors, the installation provides a way to encounter Pharr’s layered, figurative work alongside Quamina’s dreamscapes and Simmons’s oil paintings, while the reported spacing gives each artist’s work room to register on its own.
The review’s account also locates the exhibition within the museum’s new Harlem building, whose 82,000 square feet provide the setting for the fourth-floor presentation. The report does not state how the building’s design or the exhibition’s placement affects attendance, access, or the artists’ careers, so those effects cannot be assessed from the available information.
Inside the 2026 Residency Exhibition
“A sustained becoming” is identified in the report as an exhibition of the Studio Museum’s resident cohort for 2026. Its title frames the group presentation, but the review excerpt does not explain the curatorial meaning of that phrase or describe the residency’s duration, selection process, or other activities.
The account focuses on the visual character of the works and how they are installed. Pharr’s pieces use paper and sculptural forms to present figures in states of care and transformation, while the other artists’ works are described through their dreamlike imagery and intimate oil scenes. The report names the exhibition venue as the Studio Museum in Harlem and places the show on the fourth floor of its new building.
““draws from girlhood and womanhood””
— Hyperallergic review
Dates and Artist Statements Unreported
The source material does not give the exhibition’s opening or closing dates, admission details, public programs, or information about whether additional artists or works are included. It also does not provide direct comments from Pharr, Quamina, Simmons, or the museum about the exhibition’s aims.
The descriptions of symbolism and mood in Pharr’s pieces are the reviewer’s account. Without an artist statement or further reporting, the specific meanings Pharr assigns to the figures, materials, and titles remain unclear. The available report also does not say how long the residency lasts or what opportunities it includes beyond the exhibition.
Exhibition Details to Follow
Readers seeking practical information will need to consult the Studio Museum’s current listings for dates, visiting hours, and any related events. The report identifies the exhibition as part of the 2026 residency cohort but gives no schedule for later programming or additional announcements. Further comments from the artists or museum could clarify how the works relate to the residency and how the exhibition was organized.
Key Questions
Where is “A sustained becoming” being shown?
The report places the exhibition in a fourth-floor gallery at the Studio Museum in Harlem, in the museum’s new building.
Which artists are named in the report?
The review names Derriann Pharr, Simonette Quamina and Taylor Simmons as artists in the exhibition.
What works by Derriann Pharr are described?
The report discusses “Squinching my eyes shut and wishing real hard (Honey’s Dream)” and “Bring My Bones Home!”, both dated 2026.
When can visitors see the exhibition?
The source excerpt does not state the exhibition’s opening or closing dates. Check the Studio Museum’s current visitor information for its schedule.
Source: rss
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