TL;DR
Get art and craft supplies delivered free with Prime
- Fast, free delivery on millions of items
- Prime Video, Amazon Music and more included
- Member-only deals all year
Ibrahim Said’s solo exhibition “Shaping Time” has opened at Yossi Milo in New York, presenting ceramic sculptures informed by Islamic and ancient Egyptian art and the pottery traditions of Fustat. The show follows Said’s 18-month residency with The Metropolitan Museum of Art and Vacheron Constantin and is scheduled to run through Jan. 9.
Egyptian ceramic artist Ibrahim Said has opened “Shaping Time,” a solo exhibition of sculptural ceramic works at Yossi Milo in New York. The exhibition draws on Islamic and ancient Egyptian art, as well as the Fustat pottery traditions Said encountered growing up in Old Cairo, and is scheduled to remain on view through Jan. 9.
The works extend the idea of a vessel beyond a single container. According to the gallery, Said joins ceramic forms with concave pillars and curved bands, creating sculptures that bring together paired or contrasting shapes. The pieces include “Delta Vase” (2025), made from white earthenware, and 2026 works such as “Floating Vase – Gold Twist” and “Shaping Time 3.”
Said completed the inaugural Metropolitan Museum of Art and Vacheron Constantin Artisan Residency before making this body of work. The 18-month residency gave him access to The Met’s collection. The gallery says that experience influenced the exhibition, though the source material does not identify particular objects or works in the museum collection as direct models.
Across the sculptures, the gallery points to symmetry, layered ornament and lattice patterns as recurring features. It describes Said’s approach as connecting the physical labor of shaping and decorating ceramics with reflections on time, mortality and the relationship between what lasts and what passes away. Those themes are the gallery’s account of the work’s aims, rather than a separate statement from the artist quoted in the report.
Ceramic Craft Across Generations
The exhibition brings attention to how an artist working in contemporary ceramics can engage with local craft histories and older visual traditions without presenting the resulting objects simply as historical reproductions. Said’s connection to Old Cairo and its pottery workshops gives the project a personal link to the practices it references, while its sculptural forms recast the vessel as a joined, layered object.
The work also makes the time involved in ceramic production part of its subject. The gallery highlights the precision and labor required for the sculptures’ symmetry and ornament. That framing connects the objects’ making to the exhibition’s ideas about memory, permanence and change, and gives visitors a way to consider craft both as a material process and as a form of cultural continuity.
As an affiliate, we earn on qualifying purchases.
Fustat’s Pottery and Said’s Practice
Fustat is a historic district of Cairo that served as an ancient Islamic capital of Egypt and a major trading center. Pottery known as Fustat ware has been excavated across the area. The source report describes examples with lustre glazes in varied hues that create an iridescent surface; some were also incised with designs.
Said was born in Old Cairo and grew up observing the ceramics industry in the area’s Pottery Village, which comprises dozens of workshops, according to the report. The exhibition draws on that background alongside Islamic and ancient Egyptian art. Its timing follows the artist’s 18-month museum residency, which provided access to The Met’s collection and preceded the creation of the new work.
“Said considers time “not as a fixed progression from past to future, but as a layered condition in which histories and imagined futures continually overlap.””
— Yossi Milo gallery, as quoted in the Colossal report
Details Behind the Works
The source material does not specify which objects in The Met’s collection Said studied during his residency, or how particular pieces informed individual sculptures. It also does not provide an artist statement beyond the gallery’s account of his ideas, so descriptions of the work’s themes should be understood as the gallery’s framing.
The report lists the exhibition’s scheduled closing date as Jan. 9 but does not give a year for that date. It also does not include information about admission, public programming or whether the schedule may change.
Exhibition Runs Through January
“Shaping Time” is scheduled to remain at Yossi Milo in New York through Jan. 9. The source report does not list any additional events or later exhibition venues. Visitors seeking current opening hours, access details or programming will need to check with the gallery, as those details were not included in the available information.
Key Questions
What is “Shaping Time”?
It is a solo exhibition of ceramic sculptures by Ibrahim Said at Yossi Milo in New York, drawing on Islamic and ancient Egyptian art and Egyptian pottery traditions.
When and where is the exhibition?
The show opened in October 2026 at Yossi Milo in New York and is scheduled to run through Jan. 9. The source does not specify the year for the closing date.
What traditions inform Said’s work?
The exhibition references Islamic and ancient Egyptian art, along with Fustat pottery traditions. Said also grew up around the ceramics workshops of Old Cairo’s Pottery Village, according to the report.
What was the artist residency?
Said completed the inaugural Metropolitan Museum of Art and Vacheron Constantin Artisan Residency, an 18-month program that gave him access to The Met’s collection. The gallery says the residency influenced the new body of work.
Source: rss
Halloween Picks
halloween
As an affiliate, we earn on qualifying purchases.
