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Tanya Merrill’s exhibition Land animal, house animal presents oil-and-graphite paintings of animals she encounters in her new upstate New York surroundings. A Hyperallergic review connects the work to Merrill’s recent move from New York City and the birth of her daughter in June; the supplied report does not specify the year or dates of the exhibition.
Tanya Merrill’s exhibition Land animal, house animal at 303 Gallery features new oil-and-graphite paintings of animals in the artist’s upstate New York surroundings, according to a Hyperallergic review. The report links the work to Merrill’s recent move from New York City and the birth of her daughter in June, while describing paintings that foreground animals as beings with their own lives and motivations.
The review describes paintings on linen made with oil and graphite, including A milking cow at Evelyn’s dairy, Horse at night, and Marsh hawk, all dated 2026 in the supplied captions. Merrill depicts animals encountered in her new environment, among them a dairy cow, a horse, a cat, and a Northern harrier, also called a marsh hawk.
Hyperallergic reviewer Gregory Volk says the paintings challenge an anthropocentric view that places humans above other animals. The works, as described in the review, give attention to animals’ apparent presence and individuality rather than treating them only as background or symbols. The report identifies the images as photographed by Gregory Volk for Hyperallergic.
The supplied article is a short “Pocket Review.” It names 303 Gallery in New York as the exhibition venue but does not provide a full exhibition schedule, a complete list of works, or statements from Merrill herself. Those details cannot be confirmed from the source material provided.
Animals at the Center of Merrill’s Paintings
The exhibition offers a focused look at how a change in surroundings can inform an artist’s subject matter. Merrill’s move from New York City to upstate New York brought her into regular contact with local animals, which the review identifies as central to the new paintings. The report also places the work alongside a major personal change: Merrill gave birth to her daughter in June.
For viewers, the review’s emphasis on animals’ sentience and independent motivations gives a way into the exhibition beyond its rural setting. It frames the paintings as a challenge to human-centered assumptions about animals, while the specific subjects—a dairy cow, a cat, and a bird of prey—keep that idea grounded in observed creatures. The source does not claim that the paintings represent a broader movement or establish a new artistic approach.
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A New Home, New Subjects
The source describes two experiences behind the exhibition: Merrill’s family recently relocated from New York City to upstate New York, and the artist gave birth to her daughter in June. It says her new work responds to the world around her, especially animals she encounters locally. The review does not give further details about the move or specify when it took place.
In discussing Marsh hawk, the review notes the bird’s gray, white, and black feathers and says Merrill frequently observes the Northern harrier from her studio. Volk describes the painting as echoing regional folk art and Audubon. That comparison is the reviewer’s account of the work, not a quoted statement from Merrill.
“She decisively challenges a pervasive anthropocentric worldview that deems humans superior and animals lesser.”
— Hyperallergic reviewer Gregory Volk
Exhibition Dates and Artist’s Account
The supplied report does not state when the exhibition opened or closed, how many works are on view, or whether the show is still open. It also gives no direct interview or statement from Merrill, so her own explanation of the paintings and the relationship between her life changes and the work is not available in this source.
The captions date several paintings to 2026, but the source material does not establish the exhibition’s exact timing. The review’s descriptions of the animals’ intentions and the works’ art-historical echoes are interpretations; the supplied text does not present them as claims made by the artist.
Check 303 Gallery’s Exhibition Schedule
Readers seeking practical details should consult 303 Gallery’s current exhibition information for dates, visiting arrangements, and any further documentation of Land animal, house animal. The supplied source does not announce a later event, publication, or confirmed next milestone for Merrill’s work.
Further reporting could clarify the show’s schedule and include Merrill’s account of how motherhood and the move upstate shaped the paintings. For now, the available development is the Hyperallergic review and its description of a new body of animal-focused work.
Key Questions
What is Tanya Merrill’s exhibition called?
The exhibition is titled Land animal, house animal, according to the Hyperallergic report.
Where is the exhibition being shown?
The source identifies 303 Gallery in New York as the venue. It does not provide the exhibition dates or current visitor information.
What animals appear in the paintings?
The review mentions a dairy cow, a horse, a cat, and a Northern harrier, also known as a marsh hawk.
What does the review say influenced the new work?
It connects the paintings to Merrill’s move from New York City to upstate New York and the birth of her daughter in June. The source does not include a direct statement from Merrill explaining those influences.
When can the exhibition be seen?
The supplied report does not give opening or closing dates. Check 303 Gallery’s schedule for current availability.
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