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A project documented on sussi.dk depicts a small section of a study where Terry Pratchett might have felt at home, rather than claiming to reproduce his actual workspace. The 1:12 miniature includes individually made books, a fireplace, an eagle lectern, a leather jacket and a felted hat; its maker says the project took about six weeks and benefited from advice from Bernard Pearson.
A Danish miniaturist has documented a 1:12-scale study inspired by Terry Pratchett, assembling handmade books, furniture and personal-style details into a small scene that the maker explicitly says is not a replica of the author’s actual study. The project, described on sussi.dk, took about a month and a half and offers fans a crafted interpretation rather than a verified reconstruction.
The maker says the available photographs of Pratchett’s study were too limited to reproduce the room accurately: a true replica would have required views from every angle and exact measurements. The result is instead described as a small part of a study where Pratchett might have felt at home. The maker says research and conversations with Bernard Pearson, known as The Cunning Artificer, helped shape the work.
The bookcases are a central feature. The right-hand section holds Discworld titles and some of Pratchett’s other books. The maker says each miniature book was made individually with its intended cover, despite difficulty locating complete cover images that included the front, spine and back. A miniature copy of Good Omens is presented as a signed first edition, with an inscription reading, “Burn this book!”
Other details draw on objects and imagery associated with the author and his work. A fireplace made from wood and plaster sits beneath a print of Great T’Phon Rising by Paul Kidby; another Kidby work, Mors Ultima Ratio, is placed behind an eagle lectern used as a coat stand. A tiny leather jacket is hand-sewn, while a felted hat is made from fine merino wool. The maker says a wall photograph was available as a reference, but does not claim that every object or placement is an exact match for Pratchett’s room.
Crafting Pratchett’s World in Miniature
The project matters as a carefully documented example of how fans translate a writer’s work and public image into physical craft. Its value is in the maker’s disclosed process and attention to scale, not in proving what Pratchett’s actual study looked like. That distinction lets readers enjoy the scene without mistaking an imaginative tribute for an archival reconstruction.
The piece also shows how small construction choices carry meaning at miniature scale. The maker describes sewing the jacket from very thin goat leather and knitting a blanket with wool and silk thread using 0.7 mm needles. The chair is built from wood, foam and leather, then treated with sandpaper and wax to give it a worn appearance. A miniature candle was briefly lit to create the look of a used wick, according to the project account.
For Pratchett readers, the scene brings together recognizable references, including Discworld books and a figure identified as the Librarian. The source does not establish that all displayed objects belonged to Pratchett. The work is best understood as an affectionate interpretation shaped by available images, research and the maker’s imagination.
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References Behind the Miniature
The maker frames the project through an imagined visitor small enough to occupy the room when the house is quiet, referencing the scale and premise of The Borrowers. That comparison is offered as a playful way to picture the scene, not as a claim about Pratchett’s own ideas or possessions.
The report identifies the manuscript on the desk as the first 50 pages of The Colour of Magic, the first Discworld novel. It also describes a working miniature clock obtained from a specialist miniaturist and a pewter sword. The firewood consists of twigs from an old tulip tree in the maker’s yard, brought down in a winter storm. These details combine literary references with materials and objects selected for the model.
The maker says the project lasted approximately six weeks and describes the research as enjoyable. The source is a first-person craft account, not an independent historical investigation of Pratchett’s home or possessions. It provides descriptions of construction and design choices, but does not supply measurements or a complete photographic record of the original study.
“This is not a replica of Terry Pratchett’s study.”
— The maker, writing on sussi.dk
Limits of the Available References
The maker says only a small number of photographs of the study were available and that the project lacked the full-angle images and exact measurements needed for a faithful replica. It is not clear which individual objects in the miniature reproduce items documented in Pratchett’s actual workspace, beyond the references and descriptions the maker identifies. The source also does not give a publication date or provide independent verification of the room’s contents.
The project account identifies particular books, artworks and objects in the model, but that does not establish that each was present in the real study. The maker’s own description remains the clearest guide to the work’s status: it is a partial, imagined setting inspired by Pratchett, not a factual inventory of his office.
No Further Plans Reported
The source does not announce an exhibition, sale, new version or other follow-up. It presents the study as a completed project and explains how several pieces were made. Any further display or publication would need to be confirmed by the maker or a later update to the project page; no next milestone is stated in the available report.
Key Questions
Is this an exact replica of Terry Pratchett’s study?
No. The maker says it is not a replica, citing the lack of photographs from every angle and exact measurements. It represents a small, imagined section of a study where Pratchett might have felt at home.
How large is the miniature?
The scene is made at 1:12 scale. The source does not provide the finished model’s overall dimensions.
How long did the project take?
The maker says it took about a month and a half, including research into Pratchett and the details represented in the scene.
What details are included?
The model includes bookcases with individually made Discworld and other Pratchett books, a fireplace, a miniature Good Omens book bearing the inscription “Burn this book!”, an eagle lectern used as a coat stand, a tiny leather jacket and a felted hat. It also includes works identified as paintings by Paul Kidby.
Who helped with the research?
The maker credits Bernard Pearson, known as The Cunning Artificer, with answering questions during the project. The source does not give further details about the extent of his contribution.
Source: sussi.dk
