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London-based artist Rana Begum is showing 18 works at Lehmann Maupin in her first solo exhibition in New York. The show brings together pieces from different points in her career, using industrial materials to make color and light appear to shift as viewers move around them.
London-based artist Rana Begum is presenting 18 works at Lehmann Maupin in her first solo exhibition in New York, a show built around how industrial materials can produce changing effects of color and light. The works span different series from her career and invite viewers to notice how their appearance shifts with movement and changing light.
The exhibition brings together works made with materials including glass, automotive parts, chain link and metal. In the gallery’s account, Begum uses these everyday industrial materials to create experiences that depend on perception rather than on a single fixed view. The works combine color, light and form, with their balance varying from one series to another.
One example is “No. 1628” (2026), made from 20 powder-coated aluminum sections mounted on a wall. The bars have vivid yellow and pink sides. Their spacing and the viewer’s position can make other colors and geometric patterns appear, according to Hyperallergic’s report. Installed near a window, the work also seemed to change as sunlight shifted during the publication’s visit.
Begum told Hyperallergic that the work should be observed over time, describing how it can shift through the day. The report says the exhibition includes pieces from different series, including one Begum said she began around 2007. The article does not provide a full checklist or installation dates.
How Viewers Change the Work
The exhibition’s central idea is that a work’s appearance is not always fixed from one viewpoint. In pieces such as “No. 1628,” viewers’ movement and ambient light affect what colors and patterns they perceive. That makes looking itself part of the encounter, rather than simply a way to inspect an object.
For readers, the New York show also offers a concentrated view of an artist’s practice across multiple series. Its use of familiar materials—such as aluminum and chain link—places emphasis on how arrangement, color and light can alter perception, rather than on elaborate materials alone. The source describes the effects but does not claim that every viewer will experience them in the same way.
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A Practice Built Around Light
Begum described light, form and color as the three core elements in her work. Speaking to Hyperallergic during a pre-opening walk-through, she said each series gives those elements a different balance, while keeping all three present.
The show connects that approach to a series she said she started around 2007. The report presents the exhibition as spanning works from different series across her career, rather than focusing on a single new body of work. It identifies “No. 1628” as dated 2026, but does not give the dates of the other works or further details about the exhibition’s run.
Exhibition Dates and Full Checklist
The source does not state the exhibition’s opening and closing dates, provide a complete list of the 18 works, or identify the dates of most pieces. It also does not report statements from Lehmann Maupin about attendance, sales or plans for the show after its New York presentation. Descriptions of the works’ visual effects come from the publication’s account and Begum’s comments; individual viewers’ experiences may differ.
The Show’s New York Run
The exhibition’s opening and public run are the next practical points for readers to check with Lehmann Maupin, since the source report does not give dates or visiting information. Further details about the complete exhibition checklist, or any events linked to the show, were not included in the material available for this report.
Key Questions
What is Rana Begum showing in New York?
Begum is presenting 18 works at Lehmann Maupin in her first solo exhibition in New York. They draw from different series in her career.
What is “No. 1628” made from?
“No. 1628” (2026) consists of 20 powder-coated aluminum sections mounted on a wall, with yellow and pink painted sides.
Why do the works appear to change?
The report describes effects that depend on the viewer’s position, the spacing of forms and changes in natural light. These can make colors or patterns appear differently as a person moves around a work.
When can visitors see the exhibition?
The source material does not give the exhibition’s dates. Visitors should check Lehmann Maupin’s current exhibition information for opening hours and the show’s schedule.
Source: rss
