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Hyperallergic has published the 358th installment of “A View From the Easel,” featuring Bronx-based artist Flor Khan. In the interview, Khan describes how she uses photography, fabric and alternative photographic processes to engage with family memories and challenge the framing of historical images. She also discusses her Kreate Hub studio and a cyanotype-painting workshop she said was planned for the coming weeks.
Hyperallergic has published a profile of Flor Khan, a Bronx-based artist who works with photography and alternative photographic processes to revisit family memories and reconsider historical images. The interview is the 358th installment of “A View From the Easel,” the publication’s series on artists and their workspaces, and offers a first-person account of Khan’s studio practice at Kreate Hub.
Khan said she had been working in her current studio since March, after using several artist studios and her apartment. Her workday usually begins around 4 p.m., after her day job. She described keeping several projects in progress at once: one may be developing at her photo-processing station, another drying on a work line, while a third steeps in tannins. When fabric is dry, she may also use a sewing machine.
Before working, Khan said, she turns on a salt lamp and lights a candle for her ancestors, asking permission to bring their memories back to life. Her materials and sources include Victorian-era postcards featuring Indo-Caribbean women and albums belonging to her late father. She combines image-making with sewing, cartography and other interventions to reshape the meaning of photographs.
Khan described the studio as a place where she can work slowly and leave pieces unfinished. She said the Kreate Hub community has been welcoming, with artists and small businesses in neighboring spaces. Khan said she and her partner, a muralist and painter, planned to host a cyanotype-painting workshop on New York City landscapes in the coming weeks. The source does not confirm whether that event has since taken place.
How Khan Reworks Family Photographs
Khan’s account connects the practical conditions of studio work with the questions behind her art: who appears in a photograph, how people are represented, and who gets to shape the image’s meaning. She said she uses sewing, overlays and other techniques to revisit family photographs and historical images, including postcards that she views as shaped by a colonial gaze.
That focus gives the studio profile relevance beyond a description of materials and routines. Khan presents image-making as a way to engage with loss and family history, while altering photographs that she believes can obscure the lived experiences of the women depicted. Her comments are her own account of her intentions and process; the profile does not offer an independent evaluation of the works.
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Inside the Easel Series
“A View From the Easel” is a recurring Hyperallergic series in which artists discuss their workspaces. The source identifies Khan’s interview as installment 358 and invites artists working across mediums and in different settings, including home studios, to submit their own workspace accounts.
Khan also described visiting El Museo del Barrio as meaningful because, in her view, the museum centers Latin American and Caribbean culture and history and is accessible to nearby artist communities. She singled out the exhibition “Sophie Rivera: Double Exposures,” saying Rivera’s gelatin prints of children photographed in 1980s New York spoke to her about identity and city life. Khan identifies as Xicana-Latina and said seeing art that represents her culture made her feel seen.
“Here, I am allowed to play, to not know the answers, to let the message evolve on its own timing.”
— Flor Khan
Workshop Timing and Studio Needs
The interview does not give a specific date for Khan’s planned cyanotype-painting workshop, nor does it confirm whether it occurred. It also does not provide details about registration, venue access or the workshop’s audience.
Khan said she would like more room for tannins and running water closer to her work area. She described using a water basin down the hall and a slop sink to wash photo-processing equipment. The profile does not specify which chemicals or processes she uses, or whether the studio has since changed its facilities.
The Planned Community Workshop
The next development identified in the source was the cyanotype-painting workshop Khan and her partner planned to host on New York City landscapes. The interview gives no date or later update, so readers would need confirmation from Khan or Kreate Hub to learn whether it went ahead or whether another event is scheduled.
Hyperallergic’s series also invites artists to submit accounts of their workspaces through its submission form. The source does not announce a follow-up profile or a specific next installment.
Key Questions
Who is Flor Khan?
Flor Khan is a Bronx-based artist who works with photography and alternative photographic processes. In the interview, she discusses family memory, historical images, fabric and her studio at Kreate Hub.
What is “A View From the Easel”?
It is a Hyperallergic series about artists and their workspaces. Khan’s interview is identified as its 358th installment.
What materials and processes does Khan use?
Khan describes photo processing, tannins, sewing and fabric, along with techniques such as cyanotype. She also uses cartography and other interventions to alter or add meaning to images.
Did Khan’s planned workshop take place?
The source says Khan and her partner planned a cyanotype-painting workshop on New York City landscapes for the coming weeks, but it gives no date or confirmation that the event occurred.
Source: rss
